Friday 14 December 2012

Feedback

The feedback from my last assessment as a group has helped me improve my singing for my solo because I have now been told how to breathe correctly when singing and the posture I need to have in order to deliver a good performance.

Also after my feedback from last time, I am now more confident with performing when singing. I just need to work on my characterisation and learning how to control this and make sure that it is obvious that I am in character through out the whole performance; not just show the character here and there - I need to be in character the whole way through the song.

Why have I chose this song?

I chose this song because I really like the musical Mamma Mia; it is one of my favourite (a long side Billy Elliot). I think that the song that I chose entitles me to portray a good sense of happiness and cheerfulness with the song as it's about 'Sophie' thanking someone that there is music in the world because without music and dancing, "what are we?"

When characterising the song I need to be happy and proud that I have a talent, playing the part of Sophie, who can sing and dance. Her personality is bubbly and smiley. I need to show this when performing and demonstrate it to the audience.

When this song is sung in the musical, when Sophie is at her wedding and her 3 potential dads turn up that her mum doesn't know about. In the musical, the song is sung by Sophie and her as the lead singer and her 3 potential dads singing the chorus in the background.

Sophie

Sophie is the girl in the musical that sings 'Thank you for the music'.
In the west end, Sophie is currently being played by 'Charlotte Wakefield' and in the film, Sophie is played by 'Amanda Seyfried'.

Charlotte Wakefield


Amanda Seyfried

Co-starred alongside Meryl Streep inMamma Mia!, a romantic comedy film adaptation of the 1999 musical of the same name. Mamma Mia! was Seyfried's first leading role. The film was the fifth highest grossing film of 2008, and as of March 2010 is the 49th highest grossing film of all time. Her musical performance in Mamma Mia! was released on the film's soundtrack, for which she recorded five songs. As part of promotion for both the film and its soundtrack, Seyfried recorded a music video of the song, entitled "Gimme! Gimme! Gimme! (A Man After Midnight)".

Film production

Background:
Mamma Mia! (promoted as Mamma Mia! The Movie) is a 2008 British musical/romantic comedy film adapted from the 1999 West End/2001 Broadway musical of the same name, based on the songs of successful pop group ABBA, with additional music composed by ABBA member Benny Andersson. The film was directed by Phyllida Lloyd and distributed by Universal Pictures in partnership with Tom Hanks' and Rita Wilson's Playtone and Littlestar, and the title originates from ABBA's 1975 chart-topper "Mamma Mia". Meryl Streepheads the cast, playing the role of single mother Donna Sheridan. Pierce Brosnan, Colin Firth, and Stellan Skarsgård play the three possible fathers to Donna's daughter, Sophie (Amanda Seyfried).
Mamma Mia is the highest grossing musical film worldwide. Until the release of Avatar in 2009, it was also the highest grossing film in the United Kingdom. The film has also developed a cult following.

Cast:

All the songs in the musical


Act I
Act II
Accessed on: 14/12/12
http://en.wikipedia.org/wiki/Mamma_Mia!#Original_London_production 

Plot of Mamma Mia

The story takes place on a mythical Greek island in the present day, and centers around a young girl named Sophie who dreams of a white wedding, with her father giving her away at the altar ("I Have a Dream"). Problem is, she doesn't know who her dad is - and she's getting married the next day. As the show begins, she explains to her chums that her mum, Donna, fell into the arms of three men within a short space of time. So she's got three possible dads, and has invited them all to the wedding ("Honey, Honey"). 

Sophie's mum, a tavern hostess, used to front a rock chick band called "Donna and the Dynamos." Her former bandmates - the tomboyish Rosie and the glamorous Tanya - show up for the wedding, and talk over how life has turned out for them ("Money, Money, Money"). They're not the only ones who turn up though - so do the three possible dads, whom Sophie convinces not to tell Donna that she invited them ("Thank You for the Music"). Donna is surprised, to say the least, at the sight of the new arrivals ("Mamma Mia"). 

Convinced that this new twist will ruin everything, she escapes to her room, where Rosie and Tanya do their best to cheer her up ("Chiquitita"). They discover momentos of their old rock band days, and try to see if they've still got it ("Dancing Queen"). 

Sophie is not much happier - she'd been sure she'd be able to tell at first sight which one was her father, but she has no clue. Sky (her fiance) tries to cheer her up, while his friends try to steal him away for the traditional bachelor party, beginning with a deep-sea dive ("Lay All Your Love on Me"). 

At Sophie's own party, Donna, Rosie and Tanya make their triumphant return to the stage ("Super Trouper"). The three "dad"s, Sam, Bill and Harry, are also present, and as the only men there are subjected to the attention of the girls ("Gimme! Gimme! Gimme!"). Sophie talks to each of the men, and *all* of them become convinced that the reason he has been invited is because he is Sophie's father ("The Name of the Game"). Sophie returns hopelessly confused, while the party carries on ("Voulez-Vous"). 

The second act begins with Sophie's nightmare about her wedding, where there are three men fighting to give away the bride, who isn't what she seems ("Under Attack"). Sam is the first to try to speak to Donna about his suspicions, but all she can think of is the past ("One of Us"). It turns out Sam, who may have been the love of her life, left her. They both wish they could go back to the time when they were open with one another ("S.O.S."). 

Meanwhile, Tanya has been fighting off advances from one of the boys that works for Donna, and finally manages to put him down once and for all ("Does Your Mother Know"). Sam tells Sophie something about his failed marriage, trying to ensure she knows what she's getting into with Sky ("Knowing Me, Knowing You"). 

Harry has also decided to speak to Donna, and they begin to reminisce about the time they spent together ("Our Last Summer"). Sophie herself arrives and Donna helps her finish getting ready for the wedding, hardly able to believe her little girl is getting married ("Slipping Through My Fingers"). Sam returns again, emboldened by his talk with Sophie, but Donna still doesn't want to have anything to do with him, and asks him to leave ("The Winner Takes It All"). 

An attraction has been growing between Rosie and Bill, who find themselves alone in the church before the wedding. She decides to take matters into her own hands ("Take a Chance on Me"). The wedding begins, with Donna giving the bride away. However, Sophie's been doing some thinking, and puts an end to the proceedings, saying she's just not ready. But someone else is - Sam explains his desertion of 20 years ago and asks Donna to marry him. Shocked, but happy, she agrees ("I Do, I Do, I Do, I Do, I Do"). 

Content with having three dads rather than just one, Sophie leaves with Sky to find their future ("I Have a Dream").


Accessed on: 14/12/12
http://www.britinfo.net/theatre/story1000017.htm 

Broadway and London production of Mamma Mia

Original London Production of Mamma Mia

The musical opened in the West End at the Prince Edward Theatre on 6 April 1999 and transferred to the Prince of Wales Theatre on 9 June 2004, where it is playing as of 2012. Directed by Phyllida Lloyd with choreography by Anthony Van Laast, the original cast featured Siobhan McCarthy, Lisa Stokke, and Hilton McRae.


Original Broadway production

Prior to the musical's Broadway engagement, it made its US debut in San Francisco, California at the Orpheum Theatre from 17 November 2000 to 17 February 2001, moving next to Los Angeles, California at the Shubert Theatre from 26 February 2001 to 12 May 2001 and finally to Chicago, Illinois at the Cadillac Palace Theatre from 13 May 2001 to 12 August 2001.[12] The musical opened on Broadway at the Winter Garden Theatre on 18 October 2001 and is currently running, as of 2012. The director is Phyllida Lloyd with choreography by Anthony Van Laast.


Character
Original London Cast (1999)
Original Broadway Cast (2001) 
Current London Cast
Current Broadway Cast
Donna
Rosie
Lauren Cohn
Tanya
Sam Carmichael
David W. Keeley
William Tapley
Bill Austin
Nicolas Colicos
Ken Marks
Mark Gillis
Daniel Cooney
Harry Bright
Paul Clarkson
Dean Nolen
Graham Rowat
Sophie
Lisa Stokke
Tina Maddigan
Charlotte Wakefield 
Christy Altomare
Sky
Andrew Langtree
Joe Machota
Andreas Gyllander
Zak Resnick

Accessed on: 14/12/12
http://en.wikipedia.org/wiki/Mamma_Mia!#Original_London_production 

Week 3 - Solo

This week, I finally chose my song for my audition. 
Thank you for the music - (Mamma Mia).
Also we had a 'one on one' with the musical theatre teacher and she helped us by giving us tips on how to perform the song and what key to sing it in that suits our voice.

This week, I feel that I am more confident with my song choice and think that I am confident enough now to go in the audition and sing. This benefits me because now I have learnt the lyrics of my song, I can now focus on how to characterise the song because it's from a happy/cheerful musical so therefore I need to work out how I am going to portray this. Learning the lyrics of my song has meant that I have completed my target from last week.

This week, however, I hadn't completed my other target of coming prepared to the lesson by having the CD with my music on; therefore I had to borrow someone else's CD that's doing the same song as me. This made me unprepared and meant that I had to sing to a different version than I was used too! Next time for my audition, I will come prepared with the CD and have completed the characterisation for my performance. 

Week 2 - Solo

This week, we had to perform our songs to our piers. I think that this situation benefited me because it made me realise the song I chose wasn't right for me; therefore I am going to choose another song that suits my voice better. The pier feedback helped me a lot in this situation.

This week I think I did well because I was very nervous about performing to my piers as they hadn't heard me sing before. However, I did it and it has now gave me more confidence for my audition. Also, the feedback helped because I am now going to try and find another song that suits my voice better than my first choice of song.

However, this week, I don't think I sang as well as I could of when performing my song because I was so nervous. Next time I need to realise that I need to sing in front of my piers to get a confidence boost for when I sing in front of the 'panel' in the audition. Also this week, I didn't achieve my target from last week that was to learn the lyrics of my song as I had them in front of me when I sang. Therefore next week, my target is to learn the lyrics of my new song and have my song on CD with the instrumental version; therefore I will be prepared for the lesson and can just concentrate on characterising the song.

Week 1 - Solo

This week, I decided I was going to do a solo song instead of a duet for my musical theatre audition. I decided this as I found a song that I would like to do that is; Electricity - Billy Elliot. I like this song because Billy Elliot is my favourite musical and I love the meaning behind this song.

This week, I think that I did well by making up my mind of what song I was going to sing and whether I wanted to sing solo or not. I think this will benefit me because I have made my mind up so early in the process which will give me more time to practise and get my song perfect by the time the audition comes around.

However this week, I think that I could of spent longer on my own rehearsing my song, but instead I wasn't fully focused and was singing other peoples songs helping them out. Next time I need to be more focused on what I'm doing instead of talking to other people about theirs.

Next week, I want to of practised my song a number of times so I feel confident with it. I would have also liked to learn the lyrics to my song so I don't need to hold them in front of me; this will make sure that I am confident with my song and can concentrate on singing it in character rather than worrying about the lyrics and what's coming next.

Thursday 25 October 2012

Good Morning Baltimore - Lyrics

Oh, oh, oh
Woke up today
Feeling the way i always do
Oh, oh, oh
Hungry for something
That i can't eat
Then i hear that beat
The rhythm of town
Starts calling me down
It's like a message from
High above
Oh, oh, oh
Pulling me out
To the smiles and the
Streets that i love

Good morning Baltimore
Every day's like an open door
Every night is a fantasy
Every sound's like a symphony

Good morning Baltimore
And some day when i take to the floor
The world's gonna wake up and see
Baltimore and me

Oh, oh, oh
Look at my hair
What "do" can compare with mine today?
Oh, oh, oh,
I've got my hairspray and radio
I'm ready to go

The rats on the street
All dance round my feet
They seem to say
"Tracy, it's up to you"
So, oh, oh
Don't hold me back
'Cause today all my dreams will come true

Good morning Baltimore
There's the flasher who lives next door
There's the bum on his bar room stool
They wish me luck on my way to school

Good morning Baltimore
And some day when i take to the floor
The world's gonna wake up and see
Baltimore and me

I know every step
I know every song
I know there's a place where i belong
I see all those party lights shining ahead
So someone invite me
Before i drop dead!

So, Oh, Oh

Give me a chance
'Cause when i start to dance i'm a movie star
Oh, oh, oh
Something inside of me makes me move
When i hear the groove

My ma tells me no
But my feet tell me go!
It's like a drummer inside my heart
Oh, oh, oh
Don't make me wait
One more moment for my life to start...

Good morning, good morning
Waiting for my life to start

I love you Baltimore
Every day's like an open door
Every night is a fantasy
Every sound's like a symphony

And i promise Baltimore
That some day when
I take to the floor
The world's gonna wake up and see
Gonna wake up and see
Baltimore and me...
Baltimore and me...
Baltimore and me!

Wednesday 24 October 2012

My theatre experience!



I have been to see 4 musicals which are pictured below. I went to see Billy Elliot in London along with Grease and Shrek. I then went to see Legally Blonde whilst it was on tour in Stoke. Out of these musicals, my favourite was Billy Elliot because the talent in the younger dancers is outstanding for saying they have to manage all school work and perform on the West-End most evenings. The story line is very sad in this musical and I think that the acting was very good because it made me emotional as they made it so realistic.








Tuesday 23 October 2012

Story Plot - Hairspray

Hairspray is a musical set in 1962 Baltimore.


Tracy Turnblad spends all of her time watching the Corny Collins  show, a dance-a-thon with Link Larkin as its main star along with his girlfriend Amber Von Tussle (Brittany Snow) whose scheming mother, Velma, controls all the votes for the Miss Hairspray crown.
Velma says no to Tracy being part of the show because of her size and her height, but Corny sees her at the school and lets her be part of the show.
Tracy creates a few enemies with her views on segregation, her best friend Penny falls in love with Seaweed, who taught Tracy her dance moves and Link starts falling fall her.


Accessed 23/10/2012; http://www.ruinedendings.com/film2167plot


The song, 'Good Morning Baltimore' is the very first song played in the film, this is because she is waking up for a new day in her life, however, all she thinks about is being a dancer and performing on the Corn Collins show which is what the whole song is about. 

"You can't stop the beat" http://www.youtube.com/watch?v=Yhxfn6rXHP8&feature=related  is another song in Hairspray. This comes near the end, because a girl called Amber is stopping Tracy from achieving her dream of performing. This song shows Tracy standing up to Amber telling her that she cannot stop her from achieving her dream.

"The new girl in town" http://www.youtube.com/watch?v=gRi2T6mgH3Y&feature=related is also about Tracy. She has made a good impression on the cast of the Corny Collins show and they are all talking about her and how she is a threat to Amber. Everyone wants to be her and have her ambition, drive and personality.

Thursday 4 October 2012

Costume ideas for the performance

For our performance, I have thought of some costume ideas that we could wear. Here are some pictures of what Tracy and the cast wear in the film.


Here you can see Tracy is wearing her school uniform as this is what the song is about (Tracy going through her daily routine on the way to school).

I think that this would be a good costume idea for our performance because it is just Tracy in her school uniform and that's what the song is about. Therefore, our interpretation of this would be a blouse or shirt of some kind and also a school skirt.










 Here you can see the cast members and their costume. They are wearing big and puffy dresses that have an underskirt attached to them because this is what people wore in the 1960's
 
 
 I think that this costume would be a good idea to wear because the song is very girly and about a girl dreaming of being on stage and this goes well because we can use the dresses as part of the characterisation of Tracy to show her personality.





Next week, I will show my group the research I have done on the costumes and see if we can come up with an idea all together.

Lesson 4 - 04/10/2012

This week, we all took part in a vocal warm up again -this made sure that our vocal chords were fully warmed up to reach our maximum potential when singing. Also, to get us all working as a group and comfortable singing around each other we sang a variety of songs from different musicals. This benefited us because it means that we are now more confident when singing as a group.

This week I feel like as a group, we now all know the lyrics of the song without having to look at the sheets. This benefits us as a group because it means we can now work on getting the routine right to fit with the lyrics. Also, this week I think that we have all worked as a team well to help each other out when learning the song to make sure that everybody knows what they are singing and how to sing it.

However, for next week, I feel like we need to work on the characterisation of the song and how the song is portrayed to the audience. As Hairspray is a 'cheesy' musical, I think that the actions need to very outgoing and over the top. We could do this by characterising some of the words such as when Tracy sings "give me a chance, because when I start to dance I'm a movie star"; we need to act this out and really show off what the song is trying to say.

Sunday 30 September 2012

Tracy Turnblad

Leanne Jones - Played Tracy in the London West-End Production 'Hairspray'

  • Leanne Jones (born 21 March 1985) is a British actress. She was born in Stoke on Trent and grew up in St Ives, Cambridgeshire, where she attended St Ivo School, before studying at the Mountview Academy of Theatre Arts in Wood Green, in north London, graduating in 2006. Apart from two minor productions, including Karaoke Wedding at the Union Theatre and Enchanted: The Rock Opera at Valley Gardens, Pontefract, Jones' first professional role was that of Tracy Turnblad in the 2007 London production of Hairspray.



Nikki Blonsky - Played Tracy in the Film 'Hairspray'


  • Nicole Margaret "Nikki" Blonsky (born November 9, 1988) is an American actress, singer and dancer. She is best known for her role as Tracy Turnblad in the 2007 film Hairspray  and as Maggie Baker in the 2008 television movie Queen Sized. She is also known for her starring role in the ABC Family original series Huge.



Last Accessed - 30/09/2012
http://en.wikipedia.org/wiki/Nikki_Blonsky
http://en.wikipedia.org/wiki/Leanne_Jones

Hairspray Production Background


Hairspray is a musical with music by Marc Shaiman, lyrics by Scott Wittman and Shaiman and a book by Mark O'Donnell and Thomas Meehan, based on the 1988 John Waters film Hairspray. The songs include 1960s-style dance music and "downtown" rhythm and blues. In 1962 Baltimore, Maryland, plump teenager Tracy Turnblad's dream is to dance on The Corny Collins Show, a local TV dance program based on the real-life Buddy Deane Show.  When Tracy wins a role on the show, she becomes a celebrity overnight. She then launches a campaign to integrate the show. Hairspray is a social commentary on the injustices of parts of American society in the 1960s.
The musical's original Broadway production opened on August 15, 2002 and won eight Tony Awards out of thirteen nominations. It ran for over 2,500 performances and closed on January 4, 2009. Hairspray has also had national tours, a London West End production, and numerous foreign productions and was adapted as a 2007 musical film. The London production was nominated for a record-setting eleven Laurence Oliver Awards, winning for Best New Musical and in three other categories.

Original London production

The West End production opened at the Shaftesbury Theatre on October 11, 2007 for previews before its official opening on October 30. Michael Balll played Edna, with Mel Smith as Wilbur Turnblad, newcomer Leanne Jones as Tracy, Tracie Bennett as Velma, Paul Manuel as Corny Collins, Rachael Wooding as Amber, Elinor Collett as Penny, and Ben James-Ellis as Link. The original creative team of the Broadway production, with director Jack O'Biren and choreographer Jerry Mitchell, reunited for the London production. The show garnered a record-setting eleven Oliver Award nominations and won for Best New Musical, as well as acting awards for Best Actress and Actor in a musical (Jones and Ball). The production closed on March 28, 2010 after a run of nearly two-and-a-half years and over 1,000 performances.


Original West-End Cast

Tracy Turnblad – Leanne Jones
Edna Turnblad – Michael Ball
Amber Von Tussle – Rachael Wooding
Velma Von Tussle – Tracie Bennett
Penny Pingleton – Elinor Collett
Link Larkin – Ben James-Ellis
Motormouth Maybelle – Johnnie Flori
Seaweed J. Stubbs – Adrian Hansel
Wilbur Turnblad – Mel Smith
Corny Collins – Paul Manuel
Little Inez – Natalie Best
Female Authority Figure – Wendy Somerville
Male Authority Figure – Dermot Canavan

Last Accessed - 30/09/2012